Bibliografia

• Barbosa, Pl. A. (2023). The Dance of Pauses in Poetry Declamation. Languages, 8(1), 76. https://doi.org/10.3390/languages8010076
• Bernstein Ch. (a cura di) (1998). Close Listening: Poetry and the Performed Word, New York: Oxford University Press.
• Byers, P. P. (1979). A formula for poetic intonation. Poetics, 8, 367–380.
• Blohm, S., Versace, S., Methner, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2022). Reading Poetry and Prose: Eye Movements and Acoustic Evidence. Discourse Processes, 59(3), 159–183. https://doi.org/10.1080/0163853X.2021.2015188
• Colonna, V. (2021). Voices of Italian Poets. Analisi fonetica e storia della lettura della poesia italiana daglianni Sessanta a oggi. Tesi di Dottorato. Università di Genova-Torino.
• Colonna, V. (2022). Voices of Italian Poets. Storia e analisi fonetica della lettura della poesia italiana del Novecento. Alessandria: Dell'Orso.
• Jakobson, R. (1960). Closing statement: Linguistics and poetics. In Sebeok, Thomas A., ed. Style in Language. Cambridge, MA: MIT Press, 350–377.
• MacArthur M., Zellou G. & Miller L. M. (2018). “Beyond Poet Voice: Sampling the (Non-) Performance Styles of 100 American Poets”. Journal of Cultural Analytics, April 18, 2018. DOI: 10.31235/osf.io/5vazx.
• Mistrorigo A. (2018). Phonodia. La voz de los poetas, uso crítico de sus grabaciones y entrevistas. Venezia: Ca’ Foscari.
• Mustazza, Ch. (2019). Speech Labs: Language Experiments, Early Poetry Audio Archives, And The Poetic Record [Unpublished doctoral dissertation]. University of Pennsylvania. https://repository.upenn.edu/handle/20.500.14332/30493